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When observing potential song subjects for October 1985’s “Power Windows”, Rush lyricist/ drummer the late Neil Peart saw an uncanny number of socio-political issues which have become front page headlines again forty years later.
Led Zeppelin III appeared October 5, 1970 with surprisingly little notice. Containing “The Immigrant Song”,”Gallows Pole”, and “Since I’ve Been Loving You”, Led Zeppelin III also planted exotic seeds of sounds in “Friends” with its Middle Eastern orchestration, which would skip several subsequent albums only to germinate with legendary impact on Physical Grafitti . My guests Jimmy Page, Robert Plant, and Led Zeppelin “III” recording engineer at Ardent Studio in Memphis, Terry Manning, tell the story In the Studio.
In the Studio we never featured a more influential, important, essential album than Santana ‘s second effort, “Abraxas” released in October 1970. Simply stated, this is the Magna Carta of World Music. Carlos Santana and Gregg Rolie are joined by drummer Michael Shrieve In the Studio on the “Abraxas” 55th anniversary.
Double Trouble’s Chris Layton and Tommy Shannon are joined by blues legend Buddy Guy and my rare archival 1984 interview with the late Stevie Ray Vaughan here In the Studio for Stevie Ray Vaughan & Double Trouble’s “Soul to Soul” 40th anniversary.
It is bittersweet to share with you the World Premiere radio broadcast of INXS “X” which I was so fortunate to get to produce and host in September 1990 with guests lead singer/lyricist Michael Hutchence and keyboardist/ composer Andrew Farriss.
Stevie Nicks & Lindsey Buckingham join me In the Studio for the re-release of “Buckingham Nicks”, their remarkably good1973 recording which has eluded availability for 52 years & is actually worth the wait.
It was their fifth album,”Listen Like Thieves” in Fall 1985, where INXS finally picked the lock to the top of the American charts with “Listen Like Thieves”. For the story of INXS’ formative years, the band’s keyboard player/ songwriter Andrew Farriss, guitar-playing brother Tim Farriss, and guitar/sax man Kirk Pengilly, tell of the tough and tender early days forming in the most remote city in the world, Perth Australia; surviving the one-nighters there, in Sydney and in Melbourne; allying with a talented singer from Hong Kong-via-Hollywood, the mercurial snake-hipped Michael Hutchence;
Ozzy Osbourne In the Studio for the making of 1980’s “Blizzard of Ozz” on its 45th anniversary.
…for me in Autumn 1970 with discovering the Allman Brothers Band, as it was their second album, “Idlewild South” , which was my gateway drug to a five decade musical high for what turned out to be, as legendary producer Tom Dowd put it it, “the greatest musical fusion I’ve ever witnessed.”
On the 55th anniversary of “Paranoid”, original Black Sabbath singer / lyricist the late Ozzy Osbourne has fond memories of those days when he and his mates from the working-class neighborhood Aston decided to ditch their trendy blues music, cut the band down from a 6-piece to four, and started doing what Ozzy characterizes in this classic rock interview as “spooky music”.