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353 search results for: Who

282

Rolling Stones- Mixed Emotions- Toronto 9-3-89

When interviewing Keith Richards in early January 1989 ostensibly about his solo album Talk is Cheap,  I was repeatedly reminded by his delightful publicist Jane Rose not to ask about the 900 pound gorilla in the studio: the Rolling Stones,  and Richards’ long and very public estrangement from Mick Jagger then which had rendered the band […]

283

Woodstock pt1- Carlos Santana, Pete Townshend, Graham Nash

Woodstock Festival was unequaled in sheer scale, still heard in the voices of Carlos Santana, Pete Townshend, the late Paul Kantner of the Jefferson Airplane, Graham Nash of Crosby, Stills, and Nash, and the late Alvin Lee of Ten Years After, all here In the Studio in part one.

284

Great White- Rock Me- Anaheim CA 7-24-93

We received a nice note a few years back  from Bobby Black at an In the Studio  affiliate  who had dinner with Great White keyboard player/producer Michael Lardie. It seems that Lardie was reminiscing appreciatively about the positive impact that the support of my North Texas radio station KTXQ-Q102 had on Great White’s career at […]

285

AC/DC- Highway to Hell- Angus Young, the late Malcolm Young

AC/DC original lead singer Bon Scott’s generous body art and ear studs, plus his affable demeanor, made Scott appear less like a rock singer and more like a character out of Herman Melville’s “Moby Dick”…Angus Young and the late Malcolm Young are my guests for “Highway to Hell”.

286

Stevie Ray Vaughan & Double Trouble- In Step

1989 album “In Step” by Stevie Ray Vaughan and Double Trouble, just the mere facts are impressive. “In Step” was the Texas trio’s fourth studio album, but their first after Vaughan’s collapse and near death from substance abuse.” In Step”  won a Grammy Award, one of six Vaughan amassed, while racking up the best sales of Vaughan’s lauded career because of “The House is Rockin'”,”Crossfire”, “Tightrope”,”Let Me Love You Baby”, and the stunner “Riviera Paradise”. Yet the significance of In Step   as a musical statement of intent cannot be told by mere sales or awards. It can only be assessed by the friends who knew Stevie Vaughan best (Eric Clapton), the musicians who inspired him first (Buddy Guy, the late Doyle Bramhall), the players who supported him before and after recovery(Chris Layton, Tommy Shannon), the musicians who in turn Vaughan inspired (Joe Bonamassa ), and the biographer who tried to capture his lightning in a bottle (author Joe Nick Patoski). They are all In Step here In the Studio.

287

Don Henley- The End of the Innocence

The evening before my first interview with him was scheduled to occur regarding his third solo album “The End of the Innocence”,  Don Henley wanted to check me out.

288

AC/DC- Highway to Hell- Paris 1979

So many rock fans did not discover the original AC/DC lineup until their fifth album, Highway to Hell in Summer 1979, and therefore never got to see them fronted by lead singer/ lyricist Bon Scott who died barely seven months later. As we prepare for the fortieth anniversary of one of the greatest rock albums ever […]

289

Paul McCartney- Back in the US pt 1

… from Paul McCartney to The Pope, we couldn’t help but both comment on the remarkable similarities in response that millions of attendees display at those two seemingly disparate gatherings. But as McCartney pulls into Dallas/ Ft.Worth this week to close yet another stadium erected by captains of industry to worship the twin towers of competition and capitalism, who dares try to convince the pilgrims filing in, ages eight to eighty with stars in their eyes and a song ( okay, three hundred songs ) in their hearts, that this isn’t a religious experience?