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Phil Collins- Hello I Must Be Going

It happened to Elton John, Rod Stewart, Billy Joel, Bruce Springsteen, Bryan Adams, Sting, and most recently U2: US radio and music video outlets overplaying the hits by these most popular musicians, in the programmers' misguided attempts at gaining a bigger audience. But the unfortunate by-product is that these listeners/viewers burn out on the saturation repetition to the peril of the musicians, and the predictable backlash unfortunately is misdirected at the musicians, who had no control over how their songs were appropriated. No one on the planet knows this better now than my guest Phil Collins while sharing his second solo album,"Hello I Must Be Going.".

Peter Gabriel- Us

The various subjects on Peter Gabriel's "Us", like the deep funky grooves, are all killer and no filler, from the pleading divorced parent to his regressing child on "Come Talk to Me". the matter-of-fact demystification of personal therapy in "Digging in the Dirt", to the Biblical allusions in "Blood of Eden", inspired by Gabriel's study of capital punishment. My exclusive classic rock interview with Peter Gabriel, in front of a small intimate audience, was his first reveal of those songs in September 1992, plus "Love to Be Loved", "Steam", "Kiss That Frog", and "Secret World". Part one of two. 
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Genesis- We Can’t Dance- Mike Rutherford, Tony Banks, Phil Collins

On the eve of their first North American concert tour in decades, Genesis triumvirate Mike Rutherford, Tony Banks, and Phil Collins  reconvened here In the Studio to reprise the world premiere broadcast which I hosted and produced with them in November 1991 for "We Can't Dance" .
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Genesis- Invisible Touch @40- Mike Rutherford, Tony Banks, Phil Collins

Genesis' biggest album in their long fifty year+ career, "Invisible Touch"  (worldwide sales estimated at 15,000,000), so we convene Mike Rutherford, Tony Banks, and Phil Collins here In the Studio  to discuss the blockbuster sales behind "Tonight, Tonight, Tonight", "Land of Confusion", "In Too Deep", "Throwing It All Away", and "Invisible Touch".
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Peter Gabriel- So

(cont)...It was not until stumbling into the broadcast media/entertainment business that I got to witness, up close and personally, individual musicians who have been given enormous powers of influence through the modern phenomenon of celebrity, by the very people who they entertain. Case in point is this week's classic rock interview subject: ex-Genesis lead singer Peter Gabriel had a cult following after four studio solo albums, with his most significant creation being the ground-breaking "Shock the Monkey" video. But with the May 1986 release of "So" (#1 UK, #2 U.S., over 5 million sold; 4 Grammy nominations including Album and Record of the Year for the #1 hit "Sledgehammer"), Peter Gabriel was vaulted into international pop stardom with all of its attendant door-opening , barrier-eliminating amenities...(more)

Fathers Day with Mike Rutherford, Mike + the Mechanics

Mike + the Mechanics namesake Mike Rutherford "The Living Years" hit album and now memoir, in a touching interview about the loss of his father

Peter Gabriel- Mother of Violence- New York City 10-4-78

Fear, she's the mother of violence, Making me tense to watch the way she feed The only way you know she's there Is the subtle flavor in the air Getting HARD TO BREATHE Hard to believe in anything at all, but fear.- “Mother of Violence” (Peter Gabriel

Peter Gabriel- Us, pt 2

Continuing my in-depth classic rock interview with Peter Gabriel in Autumn 1992 on the occasion of the release of his sixth studio album, "Us"pt 2.  This is the conclusion of the career-spanning conversation. -Redbeard
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YES- Best pt 1- Jon Anderson,Tony Kaye,Bill Bruford,Steve Howe,the late Chris Squire

YES the early best "Fragile" and "Close to the Edge" with Jon Anderson, Rick Wakeman, Tony Kaye, Bill Bruford, the late Chris Squire

Progressive Rock’s 1972 Peak

For Christmas 1971, my 11 year old brother received a present from me of a record album. While on the surface this would appear not the least remarkable … except that it was Meddle   by Pink Floyd, containing the 18 minute long opus  “Echoes”.…