https://www.inthestudio.net/wp-content/uploads/2016/06/GENESIS-InvisibleTouch-IMG_0514-1-e1604698996517.jpg 505 703 In The Studio with Redbeard https://www.inthestudio.net/wp-content/uploads/2017/01/ITS-COLOR-white-studio.png In The Studio with Redbeard2021-06-06 17:01:452021-06-08 12:34:54Genesis- Invisible Touch 35th Anniversary- Mike Rutherford, Tony Banks, Phil Collins
Concerts are coming back just in time for the 35th anniversary of Genesis' biggest album in their long fifty year+ career, Invisible Touch (worldwide sales estimated at 15,000,000), so we convene Mike Rutherford, Tony Banks, and Phil Collins here In the Studio to discuss the blockbuster sales behind "Tonight, Tonight, Tonight", "Land of Confusion", "In Too Deep", "Throwing It All Away", and "Invisible Touch".
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(cont)...It was not until stumbling into the broadcast media/entertainment business that I got to witness, up close and personally, individual musicians who have been given enormous powers of influence through the modern phenomenon of celebrity, by the very people who they entertain. Case in point is this week's classic rock interview : 35 years ago, ex-Genesis lead singer Peter Gabriel had a cult following after four studio solo albums, with his most significant creation being the ground-breaking "Shock the Monkey" video. But with the May 1986 release of So (#1 UK,#2 U.S., over 5 million sold; 4 Grammy nominations including Album and Record of the Year for the #1 hit "Sledgehammer"), Peter Gabriel was vaulted into international pop stardom with all of its attendant door-opening , barrier-eliminating amenities...(more)
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Of his cinderella first solo album "Face Value" forty years ago, Phil Collins recalls the real-life betrayal and heartbreak which inspired "In the Air Tonight", "I Missed Again"; and why he did not include another original, "How Can You Sit There?", on Face Value nor it's follow up, Hello I Must Be Going, but opted instead to give it to the soundtrack of the 1984 movie Against All Odds, going on to become Phil Collins' first #1 hit.
https://www.inthestudio.net/wp-content/uploads/2021/01/GENESIS-A-Trick-Of-The-Tail-1.jpg 820 820 Red Beard https://www.inthestudio.net/wp-content/uploads/2017/01/ITS-COLOR-white-studio.png Red Beard2021-01-17 18:46:362021-01-31 22:28:37Genesis- A Trick of the Tail 45th- Phil Collins, Mike Rutherford
The first album in the post-Peter Gabriel era, Genesis "A Trick of the Tail" 45th anniversary interview In the Studio with Phil Collins, Mike Rutherford.
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Mike and the Mechanics namesake Mike Rutherford "The Living Years" hit album and now memoir, in a touching interview about the loss of his father
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Fear, she's the mother of violence, Making me tense to watch the way she feed The only way you know she's there Is the subtle flavor in the air Getting HARD TO BREATHE Hard to believe in anything at all, but fear.- “Mother of Violence” (Peter Gabriel
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We were not even ninety days into the new Eighties decade when Genesis, now a trio with Phil Collins, Mike Rutherford, and Tony Banks, released "Duke". Though already the veteran progressive rockers' tenth (!) studio album, it contained their first Top 15 US hits, "Misunderstanding" and "Turn It On Again".
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Genesis “ The Lamb Lies Down on Broadway” interviews with Mike Rutherford, Tony Banks, Phil Collins
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Between 1980 and 1986, the British trio Genesis released a series of four consecutive hit albums, each more successful than its predecessor by as many as five times. Because drummer/singer/songwriter Phil Collins had a parallel solo career take off during that time, reading the critical reviews from many respected music writers in this period imply that Genesis guitarist Mike Rutherford and keyboardist Tony Banks unwittingly, if not unwillingly, were somehow led by Collins in a more mainstream pop direction. However, the simple facts just don't bear out that assumption.
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It happened to Elton John, Rod Stewart, Billy Joel, Bruce Springsteen, Bryan Adams, Sting, and most recently U2: US radio and music video outlets overplaying the hits by these most popular musicians, in the programmers' misguided attempts at gaining a bigger audience. But the unfortunate by-product is that these listeners/viewers burn out on the saturation repetition to the peril of the musicians, and the predictable backlash unfortunately is misdirected at the musicians, who had no control over how their songs were appropriated. No one on the planet knows this better now than my guest Phil Collins.