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Concerts came back just in time for the anniversary of Genesis’ biggest album in their long fifty year+ career, Invisible Touch (worldwide sales estimated at 15,000,000), so we convene Mike Rutherford, Tony Banks, and Phil Collins here In the Studio to discuss the blockbuster sales behind “Tonight, Tonight, Tonight”, “Land of Confusion”, “In Too Deep”, “Throwing It All Away”, and “Invisible Touch”.
(cont)…It was not until stumbling into the broadcast media/entertainment business that I got to witness, up close and personally, individual musicians who have been given enormous powers of influence through the modern phenomenon of celebrity, by the very people who they entertain. Case in point is this week’s classic rock interview subject: ex-Genesis lead singer Peter Gabriel had a cult following after four studio solo albums, with his most significant creation being the ground-breaking “Shock the Monkey” video. But with the May 1986 release of So (#1 UK,#2 U.S., over 5 million sold; 4 Grammy nominations including Album and Record of the Year for the #1 hit “Sledgehammer”), Peter Gabriel was vaulted into international pop stardom with all of its attendant door-opening , barrier-eliminating amenities…(more)
the ad agency for a big brokerage house switched to Roxy Music’s “Take a Chance with Me” in the latest tv ad. Here is Roxy Music and singer Bryan Ferry performing it live back in May 1983 during a broadcast from Radio City Music Hall.
Aerosmith “Rocks”. It was a declarative statement in Spring 1976 with no equivocation. If “Toys in the Attic” a year earlier had been the definitive mid-Seventies American hard rock statement, then Aerosmith “Rocks” made it musically imperative with “Back in the Saddle”, “Sick as a Dog”, the clever sequel to “Toys…” with “Rats in the Cellar”, and another infectious Steven Tyler/Brad Whitford hit, “Last Child”.
In the conclusion to my all-new interview focusing on his brilliant all-instrumental album “Frampton Forgets the Words”, delightful conversationalist Peter Frampton picks one of my favorite Stevie Wonder chestnuts to interpret, “I Don’t Know Why”, and explains to us how Motown, “The Sound of Young America”, was in fact even bigger in his home country the UK than here; rocks out with his band on Lenny Kravitz’s “Are You Gonna Go My Way”; reveals his lifelong brotherly love for David Bowie; and much more in this part two.
It’s the thirtieth anniversary of the long dreamed about, too good to last summit meeting of both Seventies- and Eighties-era YES members on the album “Union”, with Jon Anderson, Trevor Rabin, Alan White, Steve Howe, Tony Kaye, and the late Chris Squire ALL In the Studio.
AC/DC’s lead guitarist Angus Young is my guest, with priceless memories from the In the Studio archive by the late AC/DC rhythm guitarist/ riffmaster Malcolm Young, on the forty-fifth anniversary of “High Voltage” .
My guest Billy Squier’s 1981 second solo album “Don’t Say No” sold over three million copies because of songs “In the Dark” , “My Kinda Lover” , “Lonely Is the Night”, & the big hit ” The Stroke”.
When AC/DC played Dallas in October 1985, the band “threw the dog a bone” by performing “Jailbreak” for their earliest American fans who were in San Antonio and Dallas/ Ft. Worth ten years earlier when the Aussie’s were just struggling to get known by playing Texas clubs.
Back in 2015 when the Rolling Stones were playing tight and right, presciently Mick Jagger knew that they had better do something special for the Rolling Stones’ fiftieth anniversary of the landmark album “Sticky Fingers”, albeit six years early. The Stones played every song from it at the LA Fonda Theater, including this spirited version of “Brown Sugar”.