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It is bittersweet to share with you the World Premiere radio broadcast of INXS “X” which I was so fortunate to get to produce and host in September 1990 with guests lead singer/lyricist Michael Hutchence and keyboardist/ composer Andrew Farriss.
Stevie Nicks & Lindsey Buckingham join me In the Studio for the re-release of “Buckingham Nicks”, their remarkably good1973 recording which has eluded availability for 52 years & is actually worth the wait.
It was their fifth album,”Listen Like Thieves” in Fall 1985, where INXS finally picked the lock to the top of the American charts with “Listen Like Thieves”. For the story of INXS’ formative years, the band’s keyboard player/ songwriter Andrew Farriss, guitar-playing brother Tim Farriss, and guitar/sax man Kirk Pengilly, tell of the tough and tender early days forming in the most remote city in the world, Perth Australia; surviving the one-nighters there, in Sydney and in Melbourne; allying with a talented singer from Hong Kong-via-Hollywood, the mercurial snake-hipped Michael Hutchence;
Ozzy Osbourne In the Studio for the making of 1980’s “Blizzard of Ozz” on its 45th anniversary.
…for me in Autumn 1970 with discovering the Allman Brothers Band, as it was their second album, “Idlewild South” , which was my gateway drug to a five decade musical high for what turned out to be, as legendary producer Tom Dowd put it it, “the greatest musical fusion I’ve ever witnessed.”
On the 55th anniversary of “Paranoid”, original Black Sabbath singer / lyricist the late Ozzy Osbourne has fond memories of those days when he and his mates from the working-class neighborhood Aston decided to ditch their trendy blues music, cut the band down from a 6-piece to four, and started doing what Ozzy characterizes in this classic rock interview as “spooky music”.
If you really want to have fun with a self-proclaimed Deadhead, first have him/ her set down their phone and then ask them to name the Grateful Dead’s highest-charting Billboard album up to the band’s 1987 best-seller, “In the Dark” . You’ll get a lot “Workingman’s Dead” and “American Beauty” guesses, and after that I’d have picked “Terrapin Station”. The correct answer turns out to be the tasty mid-decade effort by the Grateful Dead, “Blues for Allah”. Bob Weir, Mickey Hart, & Phil Lesh are In the Studio.
Widely viewed along with Bob Dylan, The Byrds, and Gram Parsons as fathers of the Americana musical movement, The Band also may have been one of rock’s first alternative groups. In part one of this classic rock interview, main songwriter Robbie Robertson (“The Weight”,”The Night They Drove Ol’Dixie Down”,”Up on Cripple Creek”,”The Shape I’m In”) helps me make that case on the 55th anniversary of “Stage Fright”.
“Minstrel in the Gallery”, released fifty yeas ago, and “Songs from the Wood” released in February 1977, were already the English folk/progressive rocker’s ninth and tenth albums. There was nothing then that sounded remotely like the ancient pastoral songs and instrumentation on “Minstrel in the Gallery” and “Songs from the Wood” playing on the all-important American rock radio. Ian Anderson is my guest In the Studio for “Minstrel in th Gallery” ‘s 50th anniversary.
Here are the first-person accounts by Joe Cocker and Leon Russell of a remarkable multi-media event, the Joe Cocker Mad Dogs and Englishmen US tour, concert film, and soundtrack double album 55 years ago.