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51

The Doors- Ray Manzarek

In January 1967 when John Densmore’s snare drum cracked like a rifle shot before Ray Manzarek’s nimble fingers made their intricate run of baroque-sounding notes on that reedy Farfisa organ, all on the introduction to jazz/flamenco guitarist Robbie Krieger’s composition “Light My Fire”, it clearly and boldly announced a unique approach to rock and roll that really has no peer. And all of that before Jim Morrison stepped up to the microphone to introduce one of the greatest voices and hedonistic personalities in rock history. Not unlike Creedence Clearwater Revival from the same period, no other American bands put out more albums in less time which were more influential in the last 50+ years. And like CCR, no one ever sounded like The Doors ever since. Here is Doors co-founder the late Ray Manzarek with me In the Studio to mark The Doors anniversary. -Redbeard

52

Badfinger- Straight Up- Joey Molland,the late Mike Gibbins

It was over fifty years ago that US audiences were introduced through a Paul McCartney song,”Come and Get It”, to a little-known English band The Iveys, soon to be rechristened Badfinger and to become second only to The Beatles in sales on the Apple Records label.

53

Eagles- Hotel California- Don Henley, Joe Walsh,the late Glenn Frey

“Hotel California” by The Eagles… impressive combination of cinematic vision, songcraft, and high tech production seemed to be coming from a place in the near future to which the rest of rock would have to catch up…Joe Walsh, Don Henley, & the late Eagles co-founder Glenn Frey are my guests In the Studio for “Hotel CA” .

54

Alice Cooper- Love It to Death- Killer

“Love It to Death” in March 1971 may have been the the third album by the band Alice Cooper, but that doesn’t change the fact that nobody bought the first two. By December of that same year, EVERYBODY had heard “I’m Eighteen” off of Love It to Death ,  and Alice Cooper had written and recorded a soon-to-be-classic additional full album, Killer .And it was

55

Boston- To Be a Man- Worcester 8-87

It had been such a “long time”, almost seven years, since the band Boston had released a new album and toured that when Tom Scholz, Brad Delp, and Company returned to the concert stage headlining the 1987 Texxas Jam in front of 70,000 in the Dallas Cotton Bowl, it was international news. It also was […]

56

The Who- Who’s Next – Pete Townshend

“Who’s Next” by The Who, ranked by Rolling Stone  magazine as the #28 rock album of all time, this August 1971 absolute musical masterpiece is mated with an incredibly illuminating classic rock interview with its composer, Pete Townshend, here In the Studio including the songs “Baba O’Riley”,”Bargain”,”Going Mobile”,”Behind Blue Eyes”,”Getting in Tune”, and “Won’t Get Fooled Again”…

57

Moody Blues- Every Good Boy Deserves Favour- Justin Hayward, John Lodge, the late Graeme Edge

“Every Good Boy Deserves Favour” was the Moody Blues’ seventh album in a string of commercially and critically popular efforts including “Days of Future Passed”, “On the Threshold of a Dream”, and “A Question of Balance”. Singer/ lead guitarist Justin Hayward, singer/ bass player John Lodge, and drummer Graeme Edge take “Every Good Boy Deserves Favour” to share here In the Studio insights into some of the Moody Blues’ best of those early years.

58

Stevie Nicks- Bella Donna

In July 1981, Stevie Nicks already was in arguably America’s most popular band, Fleetwood Mac, but her first solo album then, “Bella Donna”, took her career to another level entirely, a fact that was by no means guaranteed and which came at some cost.  Stevie spells it all out quite candidly In the Studio while revealing the stories and characters behind “Edge of Seventeen”, “Leather and Lace” with Don Henley, and the timeless duet with Tom Petty on his “Stop Draggin’ My Heart Around”.

59

Al Stewart- Year of the Cat

Al Stewart joins me In the Studio in a rare interview on the 45th anniversary of his breakout 1976 album “Year of the Cat”. Stewart might seem to be name-dropping big time, except it’s all true: sneaking backstage during a 1963 Beatles concert and talking with John Lennon; rooming in London next to Paul Simon; befriended by an unknown Cat Stevens; mc’ing at a London nightclub when another unknown, an American named Jimi Hendrix, decided to play his guitar with his teeth. But being witness repeatedly to rock history apparently accounted for nothing when Al Stewart’s seventh album, “Year of the Cat”, was unceremoniously turned down  by every major UK record label.

60

Tom Petty- Into the Great Wide Open

My interview with the late Tom Petty . Two significant events informed the songwriting on 1991’s “Into the Great Wide Open” , Tom Petty and the Heartbreakers’ first post-Traveling Wilburys/ “Full Moon Fever”   effort with his own band.