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The late David Bowie was already sowing the seeds of the fabled “Toy” project, which would remain unreleased until 2022, even as I watched him perform live at New York City’s Kit Kat Klub on November 19, 1999 and then sit with me In the Studio for this in-depth interview. -Redbeard
How did Pink Floyd evolve from the sublime introspection of “Dark Side of the Moon” in 1973 to the madness and despair of “The Wall” six years later? David Gilmour, Nick Mason, and Roger Waters explore the dark, ominous, yet vitally important transitional musical missing link, January 1977’s “Animals” here in my classic rock interview, an album that was highly anticipated.
In January 1967 when John Densmore’s snare drum cracked like a rifle shot before Ray Manzarek’s nimble fingers made their intricate run of baroque-sounding notes on that reedy Farfisa organ, all on the introduction to jazz/flamenco guitarist Robbie Krieger’s composition “Light My Fire”, it clearly and boldly announced a unique approach to rock and roll that really has no peer. And all of that before Jim Morrison stepped up to the microphone to introduce one of the greatest voices and hedonistic personalities in rock history. Not unlike Creedence Clearwater Revival from the same period, no other American bands put out more albums in less time which were more influential in the last 50+ years. And like CCR, no one ever sounded like The Doors ever since. Here is Doors co-founder the late Ray Manzarek with me In the Studio to mark The Doors anniversary. -Redbeard
The pivotal album in Sammy Hagar’s long career, “Standing Hampton”…Sammy joins me In the Studio.
Ted Nugent’s “Ted Nugent” fifty years ago changed the national radio reception and over-amped its way onto the Billboard album chart in Fall 1975, becoming the first of his three consecutive multi-platinum sellers. Tyrannosaurus Ted is my guest In the Studio.
The story behind this free concert performance by Van Halen of “Poundcake” in the streets of downtown Dallas in early December 1991 gets filed under Urban Legends that are actually true. That’s me introducing Van Halen from the stage. -Redbeard
Men At Work managed to occupy the peak slot in America for 15 weeks. The songs “Who Can It Be Now?” and “Down Under” followed the Business As Usual debut album from Men At Work to #1 sales for all three in the U.S., something never before done by a rookie band, not even the Beatles.
The remarkably durable breakthrough fourth album by progressive rockers YES has turned out to be anything but “Fragile”… YES co-founder Jon Anderson is joined In the Studio by keyboard innovator Rick Wakeman who joined the band to make “Fragile”.
Five weeks after the deaths of his trusted guitarist Randy Rhoads, his tour bus driver, and the band’s wardrobe seamstress in a single engine plane crash, Ozzy Osbourne summoned the courage to honor a commitment to perform a live national radio broadcast from Memphis’ Mid South Coliseum, with Night Ranger’s Brad Gillis doing a commendable job of guitar grace under pressure, ripping through “Flying High Again”.
On the eve of their first North American concert tour in decades, Genesis triumvirate Mike Rutherford, Tony Banks, and Phil Collins reconvened here In the Studio to reprise the world premiere broadcast which I hosted and produced with them in November 1991 for “We Can’t Dance” .