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Simon and Garfunkel’s” Bridge Over Troubled Water”, which swept the 1971 Grammy Awards with six including Album of the Year, Record of the Year, and Song of the Year for the title song.It ranks as #172 on Rolling Stone magazine’s “Top 500 Albums of All Time”,#7 on the BBC’s all time list, and has sold more than 25 million copies worldwide. Art Garfunkel joined me In The Studio for this very rare conversation.
Every year when December 8 rolls around it is a challenge as to how to observe the violent, senseless gun murder of John Lennon that day in 1980, to chronicle the worldwide psychic blow to a generation, while paying tribute to what John Lennon gave us as a lasting enduring legacy. Lennon’s mate-since-middleschool, Paul McCartney, […]
Roger Waters admitted to me that, in 1980, Pink Floyd had been guaranteed one million dollars per night to perform “The Wall” on a stadium tour. “And I refused to do it outdoors,” Waters tells me in this classic rock interview. “But how can you do a show, that’s about the alienation you feel about doing stadium shows, in a stadium?”
Don Henley interview about making his Building the Perfect Beast
Eric Clapton’s mid-Eighties trifecta of studio albums, starting in 1985 with Behind the Sun followed by August, peaked in November 1989 with Journeyman. Thirty-five years on it has aged remarkably well, a combination of some of Clapton’s strongest song choices, superb players to support him, and a sympathetic yet discerning producer the likes of which […]
Bryan Adams In the Studio for “Reckless”
Deep Purple “Perfect Strangers” with Ian Gillan and Roger Glover
Bruce Springsteen fans have held October 27, 1975 as noteworthy ever since his third album, Born to Run, was released then with unprecedented mainstream magazine covers Time and Newsweek heralding, somewhat prematurely, the biggest thing since Elvis and Bob Dylan. Yet I can imagine that Bruce Springsteen and his ‘E’ Street Band members might revere […]
In the years 1969-74 and “War Child”, there was no band in the world more exciting, more unconventional, and more successful than Jethro Tull. Ian Anderson is my guest.
Imagine an entire season of the tv “reality series” show Survivor if it had been filmed in a locked down recording studio instead of a remote island, and with guitars instead of spears, and you have the story of Fleetwood Mac’s 1979 double opus “Tusk”. Part 1.