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On the January 1990 debut “Shake Your Money Maker”, The Black Crowes sounded as if the late Small Faces/ Humble Pie dynamo Steve Marriott had gone on holiday to Paris and dropped in on the Rolling Stones sessions while recording “Exile on Main Street”. Chris & Rich Robinson are my guests In the Studio.
The incomparable David Lee Roth interview about January 1985’s “Crazy from the Heat” plus the platinum solo album, “Skyscraper” here In the Studio.
Every year when December 8 rolls around it is a challenge as to how to observe the violent, senseless gun murder of John Lennon that day in 1980, to chronicle the worldwide psychic blow to a generation, while paying tribute to what John Lennon gave us as a lasting enduring legacy. Lennon’s mate-since-middleschool, Paul McCartney, […]
Peter Frampton interview In the Studio for “Frampton Comes Alive”.
King Crimson singer/ bass player Greg Lake discusses the progressive rock touchstone “In the Court of the Crimson King” with Jon Anderson of YES and Mike Rutherford of Genesis In the Studio.
John Mellencamp interview “In the Studio” with Redbeard about 1989’s “Big Daddy” to mark the platinum album’s 35th anniversary..
The late David Crosby, Stephen Stills, and Graham Nash In the Studio for their 1969 debut!
The many stages of The Who’s “Tommy” conception, gestation, and birth as the first successful rock opera are further revealed, it seems, every time “Tommy” composer Pete Townshend cleans out a storage closet. Townshend joins Redbeard In the Studio to present this rock sonogram of The Who “Tommy” while still in the creative womb, part 1.
The sub-title of this classic rock interview should probably be “Frampton Barely Survives”. Everybody knows that young Englishman Peter Frampton revolutionized the recording industry in early 1976 with his live double set “Frampton Comes Alive”. But where did those now-iconic songs like “Show Me the Way”, “Lines on My Face”, “Baby I Love Your Way”, “All I Want to Be (Is By Your Side)”, and “Do You Feel Like We Do” originally come from? Peter joins me In the Studio to trace the days after he left Humble Pie, his struggles with four solid but woefully under-exposed solo studio albums, his phenomenal transformation into pop superstardom with the live album, and the tumultuous years immediately afterward trying to survive it all.
March 1994’s “The Division Bell” by Pink Floyd became the last offering of new music from the remaining triumvirate of singer/guitarist/composer David Gilmour, drummer Nick Mason, and keyboard player Richard Wright. “The Division Bell” sold over three million copies just in the Nineties thirty years ago. Gilmour and Mason join me In the Studio on the 30th anniversary.