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Note how Florida natives the late Tom Petty and the Heartbreakers stood their ground with a six-string rather than a six-shooter. It’s a different take on “I Won’t Back Down” from San Francisco’s Fillmore during a nationwide radio broadcast in February 1997.
YES innovated in early 1994 with “Talk”, and singer/lyricist Jon Anderson singer/guitarist/composer Trevor Rabin joined me In the Studio to talk about “Talk”.
Ultra-rare nightclub appearance by a young and hungry Robin Trower barely two years after risking everything by leaving Procol Harum, and just four months after the release of their second album, Bridge of Sighs. Robin takes no prisoners.on “The Fool & Me” 1974.
March 1994’s “The Division Bell” by Pink Floyd became the last offering of new music from the remaining triumvirate of singer/guitarist/composer David Gilmour, drummer Nick Mason, and keyboard player Richard Wright. “The Division Bell” sold over three million copies just in the Nineties thirty years ago. Gilmour and Mason join me In the Studio on the 30th anniversary.
The story of Collective Soul emerged a little more than thirty years ago from the basement of Stockbridge, Georgia songwriter Ed Roland’s parent’s basement. But after selling over a million copies of the album “Hints, Allegations,& Things Left Unsaid”, primarily on the phenomenon of “Shine” alone…Ed Roland is my guest In the Studio.
The Eagles’ third release, “On the Border”. Eagles co-founder Glenn Frey was exceedingly proud of their second album, 1973’s “Desperado”. Purely in popularity and chart stats, that sophomore record had the lowest glide path of any Eagles effort, yet in this exclusive In the Studio interview Frey and original Eagles bass player/ singer/ songwriter Randy Meisner make a detailed case for why, on its golden anniversary, “Desperado” may be the most formative flight of all.
Bad Company ended the Seventies decade strongly on the wings of “Desolation Angels”, and Paul Rodgers, Mick Ralphs, and Simon Kirke join Redbeard In the Studio to recall making “Rock and Roll Fantasy”,”Oh Atlanta”, and “Gone Gone Gone”.
The third Steely Dan album,”Pretzel Logic” in February 1974, has always served as a distinct demarcation line in the evolution of the eclectic band led by my guests, songwriting duo Donald Fagen and Walter Becker. “Pretzel Logic” by Steely Dan is significant because it contained the #4 Billboard hit, “Rikki Don’t Lose That Number”, with the album Top Ten in sales as well. Rolling Stone magazine ranks “Pretzel Logic” at #386 on their Top 500 Albums of All Time.
After the Jimi Hendrix Experience and Cream broke up, the heir to the throne of most powerful US rock band was the group Mountain…Led by the hulking guitarist/singer/songwriter Leslie West, Mountain posed a daunting challenge to sound engineers, both in the recording studio and live in concert. Here is a rare live recording of Mountain performing “Never in My Life” in late December 1973.
Rockford, Illinois’s Cheap Trick proved to be no joke on the live, Japan-only “At Budokan”, but the story of how the rest of the world ever got to hear it in February 1979 is a total fluke. Hear the story In the Studio from Cheap Trick’s Robin Zander and Rick Nielsen.