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Progressive rock band Genesis flirted perilously close to the mainstream for the first time in December 1976 with “Your Own Special Way” on the album”Wind and Wuthering”, yet there are no reports of any permanent injury. Mike Rutherford and Phil Collins join me In the Studio. -Redbeard
Keith Reid, Procol Harum lyricist, has passed away March 23. “Live with the Edmonton Symphony Orchestra” from the eclectic British band Procol Harum, which has the distinction of placing two of the most unlikely songs at the top of the singles chart five years apart with “Whiter Shade of Pale” in 1967 and “Conquistador” in 1972. This ultra-rare interview features organist Matthew Fisher, lyricist Keith Reid, guitarist on the first three studio albums,Robin Trower, and the late singer/pianist Gary Brooker.
Highly significant in their long, colorful history,” Lynyrd Skynyrd 1991″ was the band’s sixth studio album but, more importantly, the first new studio album since 1977’s fateful “Street Survivors”; their first since the tragic plane crash that year claimed the lives of three band members; their first to anoint original Lynyrd Skynyrd lead singer Ronnie Van Zant’s youngest brother, Johnny, as their permanent singer; the return of original guitarist Ed King, And sadly, “Lynyrd Skynyrd 1991” would be the first album without original guitarist Allen Collins.
…the dearly departed Chris Whitley in July 1991 outdoors in Dallas Texas under a tent on the lawn with no stage, no monitors, tiny PA, accompanied only by several ancient Depression-era guitars and dobro with warped necks going in and out of tune, sharing “Poison Girl” from his debut album Living With the Law.
When it’s the REO Speedwagon brand, you’ll be surprised how fresh and tasty forty-five year old “Tuna Fish” is! Kevin Cronin and Neal Doughty of REO are In the Studio with Redbeard.
The tale of Lynyrd Skynyrd and “Street Survivors” seems to have been hatched in the vivid imagination of Tennessee Williams, Harper Lee, or William Faulkner, but the characters are so colorful, the childhood bonds so strong, the struggles so personal, the victories so inspiring, and the heartbreak so deep that there is simply no need for hyperbole in telling it. The dearly beloved late co-founder Gary Rossington was my guest In the Studio.
With a band named after a Jimi Hendrix album, and their debut album Brother in 1993 sounding like Free meets Lynyrd Skynyrd, how could I not love this Carolina band? Great guys too in Cry of Love , including the trueheart guitarist Audley Freed who grew up idolizing Southern Rock icons Allen Collins and Duane […]
And yes, the series of clever, campy videos on the upstart MTV video channel in America undoubtedly had much to do with that staggering (15 million just in US) level of popularity for “Eliminator” (truly ironic, since manager Bill Ham had steadfastly kept ZZ Top off of U.S. television until then). But the songwriting, musicianship, modern arranging, and state-of-the-art recording on “Eliminator” which I heard that day was truly extraordinary. Billy Gibbons, Frank Bread, & the late Dusty Hill are my guests In the Studio.
To illustrate how seriously many of the post-British Invasion bands were approaching the rock idiom by early 1973, you need look no further than Pink Floyd’s “Dark Side of the Moon” to see how this progressive rock movement had matured, with spectacular results both artistically and commercially, confirmed in this fiftieth anniversary classic rock interview by my guests, musical lunar explorers David Gilmour, Roger Waters, and Nick Mason.
With the rousing martial rhythms from Larry Mullen jr’s drums on the opening to “Sunday Bloody Sunday”, the tortured passion evident in Bono’s voice over The Edge’s stiletto guitar stabs on “New Year’s Day”, and Adam Clayton’s rolling bass on “Surrender” as well as “Two Heats Beat as One”, War by U2 was a musical proclamation of a serious contender on the unfolding Eighties rock vista. Hear the fortieth anniversary classic rock interview In the Studio.