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The Moody Blues’ third album, “In Search of the Lost Chord” released in 1968, unfolded like a sweeping cinematic epic playing in the panorama between your ears. The antithesis of a Top 40 band, nevertheless “In Search of the Lost Chord” contained the progressive rock “Legend of a Mind” as well as “Ride My Seesaw”. Justin Hayward, the late Graeme Edge, and John Lodge co-host here In the Studio.
The all-important breakthrough third ZZ Top album, “Tres Hombres”, will focus on the all-around improvements in recording quality and songwriting reflected in such perennials as “Waitin’ for the Bus”, “Jesus Just Left Chicago”, and “Lagrange” plus the introduction of “the squank” to guitar vernacular. Squankmaster Billy Gibbons, drummer Frank Beard, and the dearly missed Dusty Hill tell the colorful tales of the earliest days of ZZ Top here In the Studio for the breakthrough third album, “Tres Hombres”.
I have interviewed literally hundreds of the greatest rock musicians , but George Thorogood is the only one who told me that he was planning to be a professional comedian, not a musician. The best-selling album by bare-knuckle electric bluesrocker George Thorogood with July 1982’s Bad to the Bone. George marks the occasion here In the Studio with his unlikely journey featuring all of his biggest hits including “One Bourbon, One Scotch, and One Beer”,”Move It On Over”, Bo Diddley’s “Who Do You Love”, “I Drink Alone”, Chuck Berry’s “It Wasn’t Me”, and of course “Bad to the Bone”.
By the time the credits roll concluding the four-time Oscar winning Queen biopic “Bohemian Rhapsody”, a casual music fan might assume that the royal rockers’ career must have peaked with that July 1985 Live Aid London benefit concert performance which climaxes the film. In fact, the story portrayed in “Bohemian Rhapsody” is only the first volume of the five decade Queen saga whose final chapter is being writ large in real time even today with Queen + Adam Lambert North American Tour. Brian May & Roger Taylor return In the Studio for part 2 of the band’s Golden Jubilee.
This audio montage of Redbeard is copyrighted by RedbeardRocks!, all rights reserved, and is for DEMONSTRATION ONLY. It cannot be used in whole or in part without the express written consent of the copyright holder. This is Redbeard performing on KTXQ/Q102 Dallas/Ft. Worth in Summer 1985, followed by Bob Eliot.
The song that ignited the immense popularity of the parent album Double Vision was “Hot Blooded”, which boiled over to reach #3 on Billboard and quickly became Foreigner’s first million-selling single. In this classic rock interview, Mick Jones recalls that Foreigner was invited to kick off the massive California Jam 2 festival in March 1978, based purely on the popularity of their debut album, and the band interrupted the recording of “Double Vision” to appear.
Presented to celebrate her legendary life and now death at age 83, this is the definitive version of “Tearing Us Apart” by Tina Turner with Eric Clapton, seemingly in a dead heat race with her band to see who could finish first!
Ray Davies of The Kinks In the Studio for their late Seventies rock revitalization which started with “Sleepwalker” and continued into May 1978’s “Misfits”.
Joe Walsh busts out of Cleveland-based The James Gang and heads west, making rock history along the Rocky Mountain way. Joe Walsh and I are Buckeyes in exile here In the Studio for the dual anniversaries of “The Smoker You Drink, the Player You Get” and “But Seriously Folks”.
For a look at “Some Girls”, Keith Richards is joined in my classic rock interview by Mick Jagger, Ronnie Wood, and former Faces keyboard player the late Ian McLagan who played on this Rolling Stones #1 Billboard album and single (“Miss You”).