Rod Stewart- Time- Tenth Anniversary
Rod Stewart joins me In the Studio for a rare conversation to celebrate the tenth anniversary of his 2013 album “Time”.
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Rod Stewart joins me In the Studio for a rare conversation to celebrate the tenth anniversary of his 2013 album “Time”.
Ten years ago this week a remarkable musical event transpired as singing superstar Sir Rod Stewart blew minds, kisses, and a few monitor speakers with the ill-timed mic drop.
On the golden anniversary of what turned out to be The Faces finale “Ooh La La”, Rod Stewart, Ronnie Wood, drummer Kenney Jones with a cameo, and the late Ian McLagan face the music here In the Studio.
Those first two Faces albums were critical faves but received scant U.S. airplay, but that all changed in a hurry in November 1971 with “A Nod is As Good As a Wink” containing the international hit “Stay With Me”. Rod Stewart, Ron Wood, & archival comments from the late Ian McLagan ( Ronnie Lane passed as well ) face the music In the Studio for their most popular album, “A Nod is as Good as a Wink” .
When the Jeff Beck Group made their American debut at New York City’s Fillmore East, no one in the audience watching the young lead singer Rod Stewart hide behind the backline amps due to major stage fright could have imagined that the raspy-throated rooster-haired Englishman would become an international star just three years later with his third solo album, 1971’s “Every Picture Tells a Story”.
Fathers Day is a big one for Rod Stewart.
In his very entertaining best-selling memoir Rod, confessions are commonplace, including Rod Stewart‘s admission that he nicked the title and certainly the spirit of his 1988 international hit “Forever Young” off of the Bob Dylan song of the same name. But the song and this performance of it April 25, 2013 in the famous West […]
Al Stewart joins me In the Studio in a rare interview on the 45th anniversary of his breakout 1976 album “Year of the Cat”. Stewart might seem to be name-dropping big time, except it’s all true: sneaking backstage during a 1963 Beatles concert and talking with John Lennon; rooming in London next to Paul Simon; befriended by an unknown Cat Stevens; mc’ing at a London nightclub when another unknown, an American named Jimi Hendrix, decided to play his guitar with his teeth. But being witness repeatedly to rock history apparently accounted for nothing when Al Stewart’s seventh album, “Year of the Cat”, was unceremoniously turned down by every major UK record label.
“Outlandos d’Amour has a certain grotesque, naïve charm about it,” Sting offers in this interview about the second album by The Police, “but Regatta de Blanc is infinitely a better record.” Both the critics and the rock audience agreed, garnering two #1 hits in the UK with “Walking on the Moon” and “Message in a Bottle”, plus topping the album sales chart there with Regatta de Blanc.
“Outlandos d’Amour’ has a certain grotesque, naive charm about it,” Sting confesses in this interview about the Police debut,”but ‘Regatta de Blanc’ was infinitely a much better record.”