Tag: Rod Stewart and the Faces

  • Rod Stewart- Every Picture Tells a Story 55th Anniversary

    Rod Stewart- Every Picture Tells a Story 55th Anniversary

    “If you would’ve told me in 1970 that I would have a #1 hit in America…well, all around the world, actually…I’d have said ‘Forget it!’ ” admits Rod Stewart dismissively about  Every Picture Tells a Story, “especially since ‘Maggie May’ almost didn’t make the record!” Now that’s just one revelation in my charming classic rock interview commemorating Rod Stewart’s breakthrough Every Picture Tells a Story in May 1971, which also contained “Mandolin Wind”, impeccable choices of covers from Bob Dylan (“Tomorrow is a Long Time”), Motown (“I Know I’m Losing You”), Tim Hardin (“Reason to Believe”), and the slammin’ autobiographical “Every Picture Tells a Story”.

    When the Jeff Beck Group made their American debut at New York City’s Fillmore East, no one in the audience trying to follow young lead singer Rod Stewart, hiding behind the backline amps  due to major stage fright, could have imagined that the raspy-throated rooster-haired Englishman would become an international star just three years later with his third solo album, 1971’s Every Picture Tells a Story. There are so many wonderful tales behind the songs, the various musicians, and the recordings on Every Picture Tells a Story, and Rod Stewart does a marvelous job sharing them  all here in one of my favorite classic rock interviews. Plus Rod intimates some colorful, often hilarious stories about the legendary band he also fronted at the time, The Faces.

    In our critical first five episodes  back in 1988, In the Studio scored something of a major “get” for an upstart fledgling rookie on the crowded national weekly syndicated radio sweepstakes: an hour-long visit with superstar singer Rod Stewart, to explore his breakthrough 1971 solo effort Every Picture Tells a Story,  something that the Rodster was not known to do in the past. We agreed to meet at co-manager Randy Philip’s Beverly Hills house where, during the actual interview, we were interrupted by the delivery of a new shiny black Corvette convertible for Rod.  He admitted that it was the first American-made car that he ever owned (after the interview concluded, I gave the car dealer a ride back to his Beverly Hills office, alas in my non-descript rental!). If you listen carefully, at times you can hear Rod’s then-twelve year old blonde-haired daughter Kimberly watching television in an adjacent room while her dad charmed me for hours  at his storytelling best about this album, ranked at #171 on Rolling Stone magazine’s “Top 500 Albums of All Time”. And ladies & gentlemen, Rod Stewart was knighted by the late Queen Elizabeth. This despite the fact that at his first record company meeting, “They didn’t like me clothes, me nose, or me hair.” Upon the royal announcement, Sir Rod said: “I’ve led a wonderful life and have had a tremendous career thanks to the generous support of the great British public. This monumental honour has topped it off and I couldn’t ask for anything more. I thank Her Majesty and promise to ‘wear it well’.“ – Redbeard

  • Rod Stewart- Time

    Rod Stewart- Time

    “They didn’t like me nose, me clothes, or me hair!” says Rod Stewart of his first record company audition in London, which makes a charming basis for the song “Can’t Stop Me Now” on the 2013 album Time. Blame Buddy Holly, Bob Dylan, and the Beatles. Before them, Artist and Repertoire execs at a record company chose a songwriter’s tune, then matched it with a separate singer or vocal group in hopes of making a hit (sorry to break it to you, but Elvis did not write the songs. But I guess he did okay). It was John Lennon and Paul McCartney, inspired by Holly, that forever changed the rock music business to where a recording artist needed to be the total package for critical respect, career control, longevity, and monetary gain. And that has been the conventional wisdom in the music biz for over half a century. So how then do we explain Rod Stewart? You see, in a fifty-plus year career as one of the world’s biggest rock stars, the Rooster-Haired One could never be described as “prolific” in the songwriting department. Case in point: Stewart’s last hit composition “Forever Young” was over thirty years ago. At most he never wrote more than half of the songs on his biggest-selling albums, yet the songs which Rod Stewart did write are some of his most popular songs ever, including”Maggie May”,”Mandolin Wind”,”Hot Legs”,”You’re in My Heart”,”Every Picture Tells a Story”,”You Wear It Well”,”Tonight’s the Night”, and the aforementioned “Forever Young”.While awaiting the return of his creative muse, Stewart had been anything but inactive nor unpopular, releasing no less than five hit albums in the preceding decade in his Great American Songbook series of 20th century standards, plus writing his best-selling autobiography Rod in 2012. But it is Time,  his 2013 return to rocking and writing, that is our subject as Rod Stewart returns In the Studio. –Redbeard