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“It took me sixteen hours to get to Dallas Texas today!”, sings Sammy Hagar to the huge crowd near the end of this legendary free concert in the blocked off streets of downtown Dallas Texas that sunny December afternoon during the performance with Van Halen of his anthem, “I Can’t Drive 55”.
Rare classic rock interview with the namesake British recording engineer/producer of the Alan Parsons Project, whose 1977 second album in collaboration with composer the late Eric Woolfson was once again based on a famous literary work, this time the Isaac Asimov science fiction classic “I, Robot”.
Preparing this interview with Black Crowes co-founders singer Chris Robinson and his younger guitar-playing brother Rich Robinson to mark their second release, “The Southern Harmony and Musical Companion”, the deja vu was uncanny and not a little bit unsettling. Constantly I had to remind myself that the trends these Atlanta natives were seeing in the mid-1990s, and the predictions they made then, sound eerily like today’s headlines. Peering now into their spyglass in reverse, it is both remarkable in its accuracy but, I must admit, troubling in its sense of creeping inevitability.
Jimi Hendrix mutated rock’s DNA & we have been trying to decode the Hendrix genome for more than half a century ever since “Are You Experienced?” was released in the UK May 1967. Jimi Hendrix Experience drummer the late Mitch Mitchell, Hendrix recording engineer Eddie Kramer, & expert Hendrix biographer/ archive producer John McDermott are my guests In the Studio..
When it came exploding out of the dashboard radio in May 1972, “School’s Out” by Alice Cooper was louder, brasher, with more swagger than anything we’d ever heard on the Top 40. But with the Woodstock Generation inheriting a world of endless Viet Nam War escalation, Richard Nixon landslide re-election, while astronauts golfed on the moon, “School’s Out” ominously was a sobering reality check for millions as well. Alice Cooper is my guest In the Studio on the golden anniversary.
Aimee Mann, almost unplugged, performs “Put Me on Top” from her solo debut “Whatever” atop (literally) Ft.Worth club Caravan of Dreams overlooking Sundance Square in April 1992 .-Redbeard
Deep Purple’s “Machine Head” album was made amidst a virtual minefield of misfortunes, any one of which had the potential to thwart the effort. Here is the real story from Ian Gillan & Roger Glover In the Studio.
Jethro Tull’s March 1972 epic “Thick As a Brick” is the only album in music history to attain #1 sales on Billboard containing only one song…Ian Anderson joins me In the Studio with Jethro Tull’s “Thick As a Brick” for one of the greatest progressive albums ever!
He may have waited interminably long on the Rock Hall induction, but over fifty years ago his third solo effort, a double album no less, put forth Todd Rundgren’s effective nomination loud and clear by spotlighting him and his Spring 1972 masterpiece “Something/ Anything?”. Todd Rundgren is my guest In the Studio.
How did Pink Floyd evolve from the sublime introspection of “Dark Side of the Moon” in 1973 to the madness and despair of “The Wall” six years later? David Gilmour, Nick Mason, and Roger Waters explore the dark, ominous, yet vitally important transitional musical missing link, January 1977’s “Animals” here in my classic rock interview, an album that was highly anticipated.