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Jethro Tull’s March 1972 epic “Thick As a Brick” is the only album in music history to attain #1 sales on Billboard containing only one song…Ian Anderson joins me In the Studio with Jethro Tull’s “Thick As a Brick” for one of the greatest progressive albums ever!
He may have waited interminably long on the Rock Hall induction, but over fifty years ago his third solo effort, a double album no less, put forth Todd Rundgren’s effective nomination loud and clear by spotlighting him and his Spring 1972 masterpiece “Something/ Anything?”. Todd Rundgren is my guest In the Studio.
How did Pink Floyd evolve from the sublime introspection of “Dark Side of the Moon” in 1973 to the madness and despair of “The Wall” six years later? David Gilmour, Nick Mason, and Roger Waters explore the dark, ominous, yet vitally important transitional musical missing link, January 1977’s Animals here in my classic rock interview, an album that was highly anticipated.
In January 1967 when John Densmore’s snare drum cracked like a rifle shot before Ray Manzarek’s nimble fingers made their intricate run of baroque-sounding notes on that reedy Farfisa organ, all on the introduction to jazz/flamenco guitarist Robbie Krieger’s composition “Light My Fire”, it clearly and boldly announced a unique approach to rock and roll that really has no peer. And all of that before Jim Morrison stepped up to the microphone to introduce one of the greatest voices and hedonistic personalities in rock history. Not unlike Creedence Clearwater Revival from the same period, no other American bands put out more albums in less time which were more influential in the last 50+ years. And like CCR, no one ever sounded like The Doors ever since. Here is Doors co-founder the late Ray Manzarek with me In the Studio to mark The Doors anniversary. -Redbeard
It was over fifty years ago that US audiences were introduced through a Paul McCartney song,”Come and Get It”, to a little-known English band The Iveys, soon to be rechristened Badfinger and to become second only to The Beatles in sales on the Apple Records label.
The late Eddie Money’s sojourn with his most popular album “Can’t Hold Back” took him from the top of the charts with “Take Me Home Tonight” back to the hospital where his drug overdose six years earlier had paralyzed his leg. “The first time I heard ‘Take Me Home Tonight’ on the radio I was doing the dishes in rehab,” Eddie tells us incredulously. “I said to myself, ‘What’s wrong with this picture?’ “
“Hotel California” by The Eagles… impressive combination of cinematic vision, songcraft, and high tech production seemed to be coming from a place in the near future to which the rest of rock would have to catch up…Joe Walsh, Don Henley, & the late Eagles co-founder Glenn Frey are my guests In the Studio for “Hotel CA” .
Ted Nugent’s “Free for All” changed the national radio reception and overamped its way to #24 on the Billboard album chart in Fall 1976, becoming his second consecutive multi-platinum seller. Tyrannosaurus Ted is my guest In the Studio.
The story behind this free concert performance by Van Halen of “Poundcake” in the streets of downtown Dallas thirty years ago this week gets filed under Urban Legends that are actually true. That’s me introducing Van Halen from the stage. -Redbeard
Men At Work managed to occupy the peak slot in America for 15 weeks. The songs “Who Can It Be Now?” and “Down Under” followed the Business As Usual debut album from Men At Work to #1 sales for all three in the U.S., something never before done by a rookie band, not even the Beatles.