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When “Nick of Time” rose steadily, eventually becoming the #1-selling album in the US a year after release it’s Spring 1989 release, no one was more surprised than Bonnie Raitt. When it also won three Grammy Awards including the coveted Album of the Year Grammy in 1990, no one was more appreciative. Then in May 1991, she released “Luck of the Draw”, her biggest album ever. Bonnie Raiitt is my guest In the Studio.
When the Jeff Beck Group made their American debut at New York City’s Fillmore East, no one in the audience watching the young lead singer Rod Stewart hide behind the backline amps due to major stage fright could have imagined that the raspy-throated rooster-haired Englishman would become an international star just three years later with his third solo album, 1971’s “Every Picture Tells a Story”.
After scoring a worldwide #1 seller with “Seventh Sojourn” in 1972, then spending the next two years mounting the largest concert tour in history at the time, the Moody Blues as a collective baffled everyone by taking practically the rest of the Seventies off. To fill in the missing piece of the puzzle, as well as mark the fortieth anniversary of their #1 selling album “Long Distance Voyager”, Moody Blues lifers Justin Hayward and John Lodge are my guests here In the Studio.
Sales of Steve Miller Band’s “Fly Like an Eagle”, which includes “Rock ‘n Me”,”Take the Money and Run”,”Wild Mountain Honey”,”Serenade”,”Mercury Blues”, and the title song have exceeded five million copies of Rolling Stone magazine’s Album of the Year 1976, plus a berth on that mag’s 500 Greatest Albums All Time list.
“It took me twelve years to make that album Live Bullet ,” Bob Seger solemnly emphasizes to me in this classic rock interview from Bob Seger and the Silver Bullet Band in April 1976. This may be the only six million-seller in history which failed to make the Top Thirty in sales when initially released.
It’s the thirtieth anniversary of the long dreamed about, too good to last summit meeting of both Seventies- and Eighties-era YES members on the album “Union”, with Jon Anderson, Trevor Rabin, Alan White, Steve Howe, Tony Kaye, and the late Chris Squire ALL In the Studio.
When Peter Frampton announced in 2019 that his diagnosis with a progressive neuromuscular disease would necessitate his final goodbye tour then, no one was more concerned than me. But as you will hear in this new interview about Peter Frampton’s new album, “Frampton Forgets the Words” , he has miraculously found inspiration in making every day be as meaningful, productive, and rewarding as possible.
Eras in music no more follow the calendar than Mother Nature does. Thus fifty years ago in mid-March 1971 the last live performance of the Sixties in effect may actually gone down when the Rolling Stones ended their brief Scottish/ English tour at London’s Roundhouse with this final performance of “Honky Tonk Women”.
“2112” by Rush was an amalgam of hard rock, progressive rock, science-fiction and Ayn Rand socio-economics right about the same time that The Ramones, The Dead Boys, and Ian Dury and the Blockheads were singing “Sex and Drugs and Rock’n’Roll”. So things were about to get interesting in 1976. Geddy Lee and Alex Lifeson of Rush join me here In the Studio
“Guitar Town ” Steve Earle shares here In the Studio for his #1-charting Country debut in March 1986: “I’m a straggler from what was going on in Austin and Nashville in the mid-70s. I had good teachers, Guy Clark, Townes Van Zandt, Jerry Jeff Walker, B.W. Stevenson…when I first got to Nashville on any given night, you could go to Guy’s house. And he’d have everybody, from the street level where I was to Mickey Newbury and Neil Young, with the guitar going around. So it was a good place to learn. Then, basically cocaine sort of created a caste system and killed that real fast!”